Over the years, Jaswinder had developed a strong philosophy when it came to filmmaking. For him, it was never just about creating a visual spectacle or pleasing a mass audience. Filmmaking, according to Jaswinder, was an art form—one that had the potential to challenge perspectives, influence minds, and even bring about societal change.
One of the core principles of his filmmaking philosophy was the importance of truth in storytelling. Jaswinder believed that every film should reflect some aspect of reality—whether it was the struggles of an individual, the complexities of society, or the emotional undercurrents that run through human life. For him, authenticity was key, and he was deeply committed to making films that felt real and honest.
In his view, a filmmaker’s responsibility was not just to entertain but also to provoke thought. He often said, “The best films are the ones that stay with you long after the credits roll, the ones that make you question something, feel something, or look at the world in a different way.” Whether his films were dealing with social issues, personal dilemmas, or universal themes of love and loss, Jaswinder always sought to engage his audience on an emotional and intellectual level.
Jaswinder also believed in the power of collaboration. He often spoke about the importance of working closely with his team, including the actors, cinematographers, sound designers, and production crew. For him, filmmaking was a collective effort. While the director may have the final say, it was the contributions of each member of the crew that brought the vision to life. He took great pride in creating an environment on set where everyone felt valued and part of the creative process.
Another cornerstone of his filmmaking philosophy was experimentation. Jaswinder was never content with simply repeating the same formula. He was always seeking new ways to tell stories, whether through innovative cinematography, fresh narrative structures, or new themes. He constantly pushed himself to explore new genres, techniques, and styles, believing that innovation was the key to keeping cinema vibrant and relevant.
